Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Subscribe to all-story
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer John  Vanderslice

A Note on the Design
John Vanderslice

For many years playing music on the road was great cover for me to shoot photos. I loved touring, but it was an endless grind, a great life destabilizer, and a preventer of healthy relationships. Still, realizing I could steal those endless hurry-up-and-wait hours and convert them into exposed 35mm film—that was a major draw, and the only reason I could have possibly ended up in Perth or Osaka or Ljubljana with plenty of downtime was because of the wonderfully inefficient superstructure of a rock tour.
      I started out with a loaner Pentax K1000 with a 28mm lens. That almost-wide-angle is what got me hooked: the odd focal length introduced all kinds of unpredictable effects, from endless lens flares and light leaks to perspective distortions. I’m an analog-tape obsessive, so the decision to shoot film was unconscious. But I soon came to love those little rolled-up . . .

PAST EDITIONS

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